By Michael Langford
The past due Michael Langford was once probably the most trendy and acomplished authors of images essays. His works are unequalled of their analitical intensity, specialise in the elemental principals and mechanisms in images, but in addition of their critical educational method at the subject.
complex images including its spouse quantity easy images are in my view actually valuable resource of good written, instructive info, protecting approximately each element of the photographic process.
these days the place there's stifling overabundance of shallow, uninspiring and downright lifeless "textbooks", that are not able to coach you something, complicated images and uncomplicated images stand as commonplace surroundings, different tutorials. Very hugely recomended.
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Additional info for Advanced Photography, Sixth Edition
Time-gamma or time-contrast index curves are used to indicate the time of development required to reach a desired gamma or contrast index. Time-gamma and time-contrast index charts can be made to show the maximum gamma (gamma infinity) or maximum contrast index (contrast index infinity) obtainable with a given film-developer combination. Figure 2-10 shows a time-gamma curve and the family of curves that produced it. A small graph is drawn in the upper left comer of the graph on which the family of curves is plotted.
Therefore, gamma and contrast-index values are useful as a measure of the degree of development. Gamma and contrast index vary directly with the degree of development; the greater the development, the higher the gamma or contrast index. This is true until the film is grossly overdeveloped. When film is grossly overprocessed, the contrast begins to decrease, because the unexposed silver halides have developed (increased gross fog) after the maximum density has "peaked" out. The point that the gamma or contrast index reaches its maximum level is known as gamma (or CI) infinity.
Latitude may be expressed either as the difference in log-H values between the two extreme points of the straight line or as the exposure ratio between these same two points. The emulsion latitude of light-sensitive materials varies according to the purpose for which it was designed—from 1:400 or more for long-scale panchromatic film, and from 1:20 or less for process film. For any given emulsion, the emulsion latitude varies according to the contrast. The emulsion latitude decreases as the contrast increases.
Advanced Photography, Sixth Edition by Michael Langford